Skip to Main content Skip to Navigation
Journal articles

Incandescence du traumatisme dans Tetro de Francis Ford Coppola

Abstract : In this article I provide an in-depth analysis of Francis Ford Coppola’s Tetro (2009), relying on narratological and psychoanalytical tools in connection with recent critical developments in trauma theory. My analysis focuses on the film’s deceitful and fluctuating narrative organization and some related technical and directorial choices, such as the shifting, elusive materiality of the film’s images. In Tetro, a film which relies on strategies of haunting and encrypted family secrets, Coppola opts for incandescence as his main visual metaphor to shed light on the ghosts of the past.
Complete list of metadata

https://hal-univ-perp.archives-ouvertes.fr/hal-01260233
Contributor : Olivier Savoyat <>
Submitted on : Wednesday, June 2, 2021 - 12:41:59 PM
Last modification on : Thursday, July 1, 2021 - 9:58:29 AM
Long-term archiving on: : Friday, September 3, 2021 - 7:09:41 PM

File

Tetro-article.pdf
Files produced by the author(s)

Identifiers

  • HAL Id : hal-01260233, version 1

Collections

Citation

Jocelyn Dupont. Incandescence du traumatisme dans Tetro de Francis Ford Coppola. Sillages Critiques, Presses de l'Université de Paris-Sorbonne, 2015. ⟨hal-01260233⟩

Share

Metrics

Record views

175

Files downloads

17